倒计时

《倒计时》上映于（1969英国），讲述的是The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com，是一部英国制片作品，由珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃德 等领衔主演。影片(剧)类型为电影，对白语言为英语。
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Q：电影《倒计时》是什么时候上映的？
A：这部影片的上映时间是：（1969）

Q：《倒计时》电影在哪个电视台播出？
A：《倒计时》目前只有网上如腾讯视频、爱奇艺、优酷、西瓜电影网等播出，没有在电视台播。

Q：《倒计时》电影演员有哪些？
A：倒计时是由大卫·格瑞尼执导，珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德主演的剧情片剧。。该剧于在腾讯、爱奇艺、西瓜电影网、优酷、等平台同步播出。

Q：哪个网站可以免费看电影《倒计时》？？
A：不用VIP就可以在线观看的网站地址：http://www.nbhxx.com/mp4/135315.html

Q：《倒计时》讲述的是什么故事？
A：来自西瓜电影网网友的回答：该电影讲述了The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com

Q：《倒计时》主要演员有哪些？
A：该影片的主要演员有：珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃德 等人。

Q：《倒计时》有多少集？
A：腾讯视频网友：目前倒计时HD。具体总集数可以去百度问答看看！

Q：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德的演技怎么样？在《倒计时》这部剧中，你觉得珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃 的演技怎么样?
A：影视大全网友：最近有珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃德 等演员主演的倒计时一经播出就受到了很多观众的欢迎和认可，这部电影里面，演员的演技都是非常值得肯定的，我觉得珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品。

Q：《倒计时》电影哪里下载
A：百度视频网友：西瓜电影网为您提供《倒计时》迅雷下载、西瓜视频下载等。

Q：手机端软件app怎么免费看《倒计时》电影
A：电影天堂网友：您可以用手机打开百度APP在搜索框里输入：倒计时手机在线观看免费，就可以找到免费正版播放资源了。手机免费看倒计时网址:www.nbhxx.com/mp4/135315.html，这个网站无广告免费在线观看。

Q：哪个软件可以在线观看倒计时电影
A：yy6080影视网友：很多地方都可以看呀，我是在www.nbhxx.com/mp4/135315.html上看的，打开APP后直接搜索“倒计时”就能看了。

Q：《倒计时》评价怎么样？
A1：豆瓣电影影评：我其实是想给倒计时4颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对英国剧情片非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，香港国产剧只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些英国剧情片可能通通都只能有三四颗星以下。
A2：1905电影网影评:《倒计时》呈现出的现代城市⽓质则让⼈尤为亲切。在当下创作环境⾥，导演大卫·格瑞尼能坚定地从内⼼感受出发，严肃直⾯社会与个⼈碰撞后的荒谬感和悲剧性，这种勇⽓和表达的技巧都是值得称赞的。虽然《倒计时》在⽬前英国推崇娱乐商业⽚的市场⾥显得卓尔不群，但对于英国的主流观众来说，它绝不是⼀部⽣涩难懂的电影，也不必担⼼观众⼝碑问题。
A3：mtime时光网影评：可视的道具利用人们对影片故事情节的了解，制造了恐怖的悬念和暗示，从而激发了观众心中与生俱来的恐惧，这种意味明确的道具在故事进程中的重现，对将故事推向高潮，将观众审美心理推向更积极的参与阶段，使观众对故事信息的重组和判断都有着非常迅速、非常鲜明的作用。
A4：烂番茄影评：观影建议：这是一部真正适合电影院的电影，所以和麦当劳巨无霸一个道理，屏幕越大越好。另反感英国人的，尤其是心系形象建设的，普及标准普通话的，建议别看，否则会被高口碑骗得裤子不剩哈。o(╯□╰)o